Vivaldi: L' Olimpiade
Vivaldi: L' Olimpiade
Here is the first opera in the Vivaldi Edition. And what an opera! Its succession of arias, each more spectacular and original than its predecessor, made it one of the biggest successes of its time. After almost three centuries of neglect, Rinaldo Alessandrini brings the opera to life again, offering a new edition of the autograph score, held by the Biblioteca Nazionale in Turin.
Who would have thought it? Vivaldi, the man who wrote 600 concertos, was also the progenitor of 94 operas. This figure given by the composer himself was long considered an idle boast, but modern musicology has confirmed it as perfectly accurate. From the middle of the second decade of the seventeenth century onwards, Vivaldi's main activity was the organization, at Venice and elsewhere, of operatic seasons in which his own works were naturally given pride of place. Hence in 1734, when he was striving to reconquer a place on the Venetian operatic scene from which he had been absent for the past five years, Vivaldi took the bold decision of setting the text L' Olimpiade by the fashionable librettist Metastasio. He provided this story of lovers' misunderstandings set against the backdrop of the ancient Greek Olympic Games with spectacular arias for two brilliant young soprano castratos, one of them his personal discovery Mariano Nicolini, and wrote for the orchestra in his own inimitable fashion.